Donnerstag, 26. Dezember 2013

Some Images and Associations


Ph.: Katarina Peterke
 I imagine the beginning of the 20th century. The three abandoned chairs are waiting for three ladies in fine gowns and with little hats that just arrived from Paris to sit down and enjoy the view for just a few minutes before they continue their walk around the fortress and probably, after a chatty afternoon, meet their husbands to drive them home in a horse-drawn carriage.







Ph.: Katarina Peterke
A fiest in the Middle Ages. The musicians are playing, there is this uge pig on the table and a really oversized king is the first to take a bite or two. The first drunk jesters are already lying under the table and on the outside very sophisticated ladies bare their rotten teeth when laughing. The cutest guest is, of course, a little dog - white, with brown spots, who eagerly waits for a bite to find his way into his snout.






Ph.: Katarina Peterke
There is something mysterious about this place. Guarded by the tripartite tree, the well seems to tell a silent story, probably a story of grief and sorrow. But it cannot easily be heard.


 







Ph.: Katarina Peterke
Somehow there is always something inspirational about trees. The image of life in spring, they turn to images of loneliness in winter. But for sure they always offer a suitable seating accomodation for birds. And for cats that need to be rescued.

The Eye of the Camera

These days I went for many long walks and I decided to experiment with the camera. And suddenly the world looked different.
Ph.: Katarina Peterke

The eye only waits to discover a scene, a moment, an object, which would look good on a photograph. Earlier I liked to save my impressions in my mind...at least I said so, what do I need the photos for, I will have my memories. Now I must admit, that it was laziness. When I saw something nice, I just thought "oh, the time it will take to take out the camera, to find the ideal position, to take a few pictures just to be sure one of them will turn out as it should - better to observe the scene a bit longer instead". I realize, better later than never, that the camera is a medium between the real world and our mind. If I don´t use the AUTO-mode, I can modify what I see in the way I would like to see it. Well, that´s not a great discovery. But I guess that most of the people just forget that other than AUTO-mode exists. Especially nowadays, when everything must be fast, automatic and as simple as possible. But modifying the images takes just a few seconds of pressing the right buttons and has such a great effect. What I enjoyed most was that I was not taking the pictures that are now so dear to me on a trip, in an exciting, far-away country, but at home, in my beloved city Novi Sad.
Ph.: Katarina Peterke
It is a truth, that we become blind to the beauty that lies in the place we live in. We walk past a beautiful park every day and we just don´t see it anymore. The only thing we see maybe is the garbage thrown behind that bush on the lawn, just a perfect opportunity to get furious about the boorishness of our fellow citizens (something that seems to be an indispensable everyday activity to many). The camera teaches us to rediscover the beauty around us, to use our phantasy to create the perfect light, colour and scenery.
Ph.: Katarina Peterke
And now, with digital photography, you don´t even have to wait until you see the outcome (a huuuuge advantage for impatient people like me). I couldn´t believe what I could make of ordinary images only with the smallest portion of image editing. My pictures suddenly felt like travelling through time and space.
Ph.: Katarina Peterke
The long and the short of it: Long live digital photography!
Ph.: Katarina Peterke

Sonntag, 8. Dezember 2013

Experiencing Pina

 

Pina (directed by Wim Wenders) - a film that fascinated and moved me. When my friend invited me to watch the movie about Pina Bausch, I expected an ordinary biography about a modern ballet dancer and choreographer. 
Modern dance is not something I can easily identify with. I love the nostalgic, the classical, the romantic. Opera is my world, where I prefer the sceneries that let me live in another century for a few hours. If I want to see today´s tragedies, I certainly don´t go to the opera, I just open a newspaper or watch the news. If I want to see today´s minimalism, I go to an exhibition, where I can admire a plain canvas with one red line and the imaginative title "The red line" - in "La Boheme" I expect a bit more of adornment than a single chair and a watch. 
I see a huge digression emerging, back to my topic, before it´s too late. When it comes to classical ballet, I admire the graceful moves, the fragility of the dancers, and their lightness. Nevertheless, I was always more for the temperamental dances (maybe because me and my stature can cetainly not identify with the tiny ballerina-body). Flamenco, Salsa, Tango, and even the "cool" hiphop-moves - I could watch them for hours. Watching a ballet perfomance, I was wishing for the dancers to open their mouths and sing for the whole three hours. Well, with modern ballet it is different, I agree. But after my first and unsuccessful contact with the classical ballet, I decided that anything with "ballet" in its name just is not for me. I proved to be wrong. 
The beginning of the film, that is, the first choreography shown, is disconcerting, disturbing even, and I didn´t really know what to think about it. The moves are very edgy, the story is about violence, sacrifice, grief and fear. And about a whole group of people plotting against one person, without mercy. The music is powerful and lets the scene go even deeper under your skin. Already in the second scene, I was completely banned and dragged in Pina´s world. It is literally the world, she is creating in her choreographies, the world in all its facets. I was deeply impressed, how powerfully she managed to express every human emotion and to combine it with the elements of nature. Somehow Pina returned to the roots of dancing to achieve that effect. Original forms of dancing were dances of conjuring, rhytmical and simple labour moves and moves expressing joy, hope, grief and desires. And that is exactly what Pina´s choreografies are about. She doesn´t moderate the expression with too rigid guidelines, she leads her dancers more to the competence and self-confidence necessary for a free and artful performance. And her dancers mentioned exactly that, that Pina had the talent to tell them exactly what they needed to free themselves. To make the performances even more powerful and interesting, their setting is mostly a natural one. I will never forget the dance in the water, or another in the sand on the top of a hill and at the brink of the abyss. In other scenes, there are wonderful contrasts, for example a ballerina in ballet shoes in front of an old factory. Through this freedom of expression and natural settings and locations from everyday life, the audience loses track of time and melts with the dancer himself.
The film "Pina", for me, is a highly recommendable masterpiece. Even if it doesn´t contain any biographical detail about Pina herself, it couldn´t create a better impression about her person. She lived for her art. And she was her art.

Donnerstag, 5. Dezember 2013

A Wilde Guess

"The recognition of private property has really harmed Individualism and obscured it, by confusing a man with what he possesses." 
Dear Mr. Wilde, I really am a fan of your always so sharp, witty and truthful thoughts. You made me laugh a billion times. In the case of the mentioned sentence you said, I am not sure if you discovered a hidden truth, or if you just shot a wild guess into the world to observe the reactions of a materialistic society.
Well, let me think about it. I was thinking that we actually get to express our individuality in wearing the clothes we like, being creative in furnishing and decorating our rooms and filling our libraries with beautiful books (some of which we plan to read every summer and never do). We are looking at the passers-by on the street and cannot avoid to make conclusions about their character from their appearance. That woman in the bus at the airport, the one with the brilliant rings, leather coat and long claws of finger nails, she must lead a busy life, love her career and luxury. That man with the glasses, long hair, a long coat and a worn-out leather bag must be an academic on his way to a literature class. We all have our mental images about groups of people and everyone fits into a certain drawer we created in our minds. I don´t like that it is that way, but you just cannot separate a human from his/her belongings. They always tell you something about his/her choices. What you are suggesting, dear Mr. Wilde, is, that everyone would need to have the same or we all should possess nothing, in order to see only the person and the character. I believe that we are not confusing the man with what he possesses, we are just making conclusions about his character based on his or her outward appearance, and sometimes these conclusions might be wrong. A wealthy man might be unhappy, have a warm heart and long for a simple life in a wooden home in the woods. 
And yes, sometimes we do care too much about how much we earn in life, how much of luxury we achieve and how many material goods we can afford. In the end, many of us realize that it was not the material goods that made us happy, it was the moments spent with dear people.
So, after all, I think that humans are not confused with what they possess by others, but they lose themselves in material wishes. And they strive to be as wealthy, as good-looking, to have a house as big and a car as fast as their idol, or maybe even next-door neighbour. And after years of buying and collecting things they didn´t really need (have you already got yourself the new apple peeler?), they realize that they haven´t spent time to find their interests and passions, they don´t know what defines them anymore. And then - what to do but to define oneself through all those splendid things exposed in one´s home and at one´s own body. And at that point, people´s possessions are everything we can see in them. So I guess, after these considerations, I must, again, agree with you. At least in a way. 
Sincerely, Katarina

Duhovi iz prošlosti (nešto malo i na srpskom :))


Duhovi iz prošlosti postoje. Oni neće nikad otići. Stoje u senkama i pokazuju se svaki put kad nam nije dobro. Oni su beg i očaj u jednom. Prate nas. I nikad nas ne napuštaju.
To su duhovi onih koji su možda mogli biti pravi. Duhovi onih koji su nam naneli bol. Duhovi onih koje smo izgubili. Duhovi propuštenih šansi.
Čovek može provesti ceo život u čežnji za tim duhovima. Ali postoji sila koja ih vezuje za senku. Blede. I možda čak i nestaju. Ta sila se oslobađa kada zaista počnemo da volimo. Onda sve ostalo postaje nevažno. Nepobedivi smo. Nepropuštene šanse nisu više nepropuštene šanse nego samo jedan korak ka ljubavi koju smo našli. Rane postaju jedva vidljivi ožiljci. Kao od mačijih kandžica.
Ljubav je jedina prava sreća. U svim svojim oblicima. 

Kao što je rečeno u jednoj pesmi koja mi uvek izmami osmeh: Život je igra napravljena za sve nas. I ljubav je njena nagrada.

Ph: by Katharina Peterke


 

Language Identity

 My next post doesn´t exactly describe a happy moment, it is more about the way I felt about moving to a new country without knowing the language:

And then I realized what language can mean.

It can weave into your identity, modify or model your way of thinking, support your thoughts.

It becomes a part of you, which can be lost like any part of a puzzle.



The homeland of my mother always meant a lot to me. Through her influence I was guided through childhood and youth with the background of Slavic mentality. Sometimes almost in a clash with my father´s principles—rooted in Germanic culture. I remember my attempts to learn Serbian before moving to Novi Sad, and I remember them as not very successful. The rhythm and melody of the Serbian language are completely different to any other European language I had learned until then. The fact that in my earliest childhood, my mother used to talk to me in Serbian, didn´t make it easier. The phrases and words acquired back then subconsciously, had been sorted out by my brain as soon as I started to go to kindergarten, where everyone used my native language, German. Being responded to exclusively in German, my mother gave up her attempts of raising me bilingually, and my ´´Serbian puzzle´´ fell apart.



I decided to put my learning on hold until my move to Novi Sad, the city of my heart. I remember the day I arrived as if it were yesterday, everything was exciting and new and the few ``negative´´ aspects I simply idealized. Unfinished streets seemed just adventurous. Ruined houses added to a certain Mediterranean charm. It was a sunny day—the air already hot at the beginning of April. I remember street signs and advertisements written in Cyrillic passing in front of my eyes. Of course, I couldn´t decipher them, but they seemed beautiful to me, artistic, somehow resembling hieroglyphs.



After my arrival, I was surrounded by that language of my earliest days and I loved it. The rolled `r´ makes it temperamental. Luckily, I didn´t have to replace `r´ with `l´, the not all that discrete trick of German speakers who can´t roll the `r´, for example in Italian opera arias; sounds odd. After a few weeks in the secure environment of friends and family, who all knew English, I had to admit that engaging my musically educated ear would not be enough to acquire a language. A Summer School for Serbian helped me to master the basics of the language in the safe environment of other foreigners. But that was just the basics, my real trial was reality afterwards. I found myself able to lead a minor conversation, but unable to really express my thoughts, not to mention my inability to make humorous comments of any kind. Also, it was almost impossible for me to follow a fast conversation with noise in the background, which is really hard to avoid when going out with friends. At least by then I could read the Cyrillic advertisements on my way home and add some lines on my own. In my head of course, I wouldn´t want to become a foreign criminal.



I guess my temporary despair and helplessness in expressing my thoughts was my share of cultural shock. A pretty mild one, I must admit. But it led me to fully understand the ``one language, one self´´ paradigm, the linguist Michael Erard mentions. According to him, speaker, citizen and self are governed by the same linguistic norms. I felt pretty relieved, when I realized that there is even a scientific explanation for my feeling uncomfortable—the linguistic norms of my self and the citizens around me couldn´t have been more different. But, step by step, I recognized words I had read in the speech of others (a euphoric feeling every time, even if the word in question was only a tiny connection word), I could make up word plays which I had loved so much in my mother tongue (well, that was a whole Ode to Joy playing in my head, with all parts of the orchestra) and I almost didn´t have to lipread anymore in noisy surroundings (and a decent amount of lipreading is pretty common in today´s noisy society anyway). With the acquisition of vocabulary through everyday situations, I started to take on the Serbian way of communicating as well. I began to think in Serbian and to replace the long and complicated German sentence structures with short, straightforward Serbian ones. Herein language mirrors the culture and interaction of the citizens of a country perfectly. I noticed that Germans wrap up their thoughts, they tie a rope of endless multi-clause sentences around them. Serbs, on the contrary, communicate their thoughts directly and straightforwardly in short, clear sentences. And in this way they act as well. There is little hiding, or beating around the bush. Thoughts are communicated. Mostly immediately. Negative and positive. After a while, through the language, I learned the culture. Through the culture I learned the behaviour. And finally, through the behaviour I partly formed a new identity. Partly, of course, I am still what I am. But I am that in a Serbian way.



A few days ago I was at a German barbecue. I felt unbelievably insecure talking in German, my sentences resembled Serbian sentence structure. Somehow I felt as if I was walking on ice with every new thought I wanted to communicate. It has been a few years since I moved to Serbia, but it is nevertheless startling how fast you lose parts of the puzzle, even in your native language. But after all, change probably is the only constant in our lives. And it is just impossible for the brain to keep all the information after every change.



So, I was at this barbecue. Talking on ice. And my conversational partner asked me: ``So, how long have you been studying German for?´´ That was it. I had become completely immersed in, and adopted, Serbian identity.


Ageing proudly

You know, there are these sights that make you feel melancholic and happy at the same time.
I was going for a winter walk with my dog. The fog was so dense that you couldn´t even see the end of the street. Street lights looked as if they were hovering in the air, glowing only to contrast the cold and the dark with the warmth of their light. The fog wrapped houses and cars in a soothing blanket. 
I met a very old dog. That is, I met his owner, but somehow we dog-people define ourselves through our pets. Steve is not Steve, but Trapper, if that´s what his dog is called. Sometimes we wouldn´t even recognize Steve´s face, if we would meet him on the street without Trapper. Well, it is the question who is whose pet then. I suspect my dog to pretend to listen to me sometimes just not to disappoint me. Actually I do pretty much what he suggests most of the time. Back to my topic. So, I met the very old dog. 13 years old, a Golden Retriever. His legs don´t work as they should anymore and he seems to have lost a bit of control over them. Despite his age, he was delighted to meet my little dog, who is as small as the old one´s snout. He started to jump around in a very clumsy way, almost bowling my dog over. You could see that he had a vey happy life in his family. And still has, although his body functions are slowly degrading. I think it is similar with people. If you have a fulfilled life, surrounded by people you love, feeling confident and strong, your stay young and cheerful in your heart, no matter how old you are. 
What does ageing mean, anyway? Why do we try to hide it with so much effort? Aren´t wrinkles interesting, because they mirror what we have lived through? Doesn´t grey hair add a certain kind of elegance to a person? For men we mostly accept that they look attractive with these signs of ageing. Because we know that they mature a little bit later anyway. And because they are not required to be perfect. A clear women - men distinction in our so progressive world. Women should represent beauty and perfection, who needs a display of wisdom and maturity? I like to see the marks of life on people´s faces - how much they have laughed, how much they have cried. I definitely don´t like to talk to a mask created by surgery, which has lost it´s display of human emotions. Creepy. And I don´t like to see beautiful red hair and be surprised by a face of an 80-year-old, when the head turns around. Everything has its time. And instead of enjoying the increasing feeling of self-confidence, experience and of knowing what we want and who we are, we chase the days that are long gone. Every age is beautiful in its way. A pity to throw away any of it. 

Mittwoch, 4. Dezember 2013

Getting started...

As a child, I was fascinated by the powerful mix of colours and shapes floating into each other behind the small hole of a kaleidoscope. It seemed like magic and somehow the impression of brightness, energy and variety stayed even a few minutes after putting the kaleidoscope away. 
Today, a kaleidoscope is a nice thing to look through, but I have been overwhelmed by so many breathtaking images every day through the media that it just hasn´t as powerful an effect on me. Nevertheless, I have decided to collect a moment every day, that seems bright and happy, and make my very own kaleidoscope of the mind. The idea came to me, when I was standing on the street on a rainy day, waiting for the traffic light to allow me to pass the street. I wasn´t in a very good mood and it was cold and grey outside. Suddenly I noticed that on the other side of the street every single one of the pedestrians was holding a bright, coloured umbrella hiding their heads. I was reminded of the kaleidoscopes bringing me joy in my childhood, and suddenly I just felt a wave of happiness out of the blue. I realized that probably every day, even the worst of all, holds a little moment of happiness for us behind its back, but we need to be willing to see it. 
In today´s Western society we have so many things to enjoy, so little to complain. And nevertheless, we are more unsatisfied, depressed and sad than people in other parts of the world living in the roughest circumstances. 
I truely believe that happiness is a choice. And I don´t want to make that choice when it´s too late. To be more aware of the beauty of life, I will try to eternalize a happy moment every day. Which will probably trigger an endless spiral of thoughts in my mind, and I´m just hoping not to end up in social critique, nostalgy or melancholy and forget about the kaleidoscopic thoughts I was starting from...